It was during that everywhere period, when Welch could hear herself coming every time she stepped out of the house, that she started to crack, slightly. I was drunk a lot of the time, on extra dirty Martinis — my way of drinking three shots at once. It was in the toilets of a London nightclub that, in , she auditioned in front of her now-manager, becoming Florence and the Machine and breaking America three years later.
In that period she rarely slept. When she got home after a two-day party, she was always in trouble. It makes Gerwig cry, she admitted, uncontrollably. As she approached the 10th anniversary of this career that became very big very fast, she decided to sober up. On stage, she says, she always felt absolved — nobody was angry with her up there.
It was her offstage life that she had to work on. Up there she will climb the scaffolding, holding on with one hand, leaping into the crowd and ripping her top off when she gets too sweaty.
Everything, she explains, starts to take on a magical significance. The performing, the transcendence, then sitting watching TV — all can coexist, and the mundane makes the magical. Maybe because being onstage has become normal, the pockets of peace seem really wild. But I treasure them. So she stopped drinking and she started staying in, and last night she watched the entire new series of Unbreakable Kimmy Schmidt. Florence likes to trick herself. And I could never get enough.
I thought that love was on the stage. The lyrics of her latest Florence and the Machine album — the ornate and intimate pop opus, High as Hope — read like diary entries. In its 10 songs, she tackles eating disorders, meeting people on ecstasy and finding the middle ground between happiness and depression.
But off the mic, the auburn-haired year-old, speaks in a lilting soprano, laughs plenty and has an endearing self-effacing quality that you might not expect from a multiplatinum artist. She even thinks she could make a go of cabin life.
You have a weird dogged determination. When it comes to actually being really scared, I have a strange bravery. What are your biggest fears? I can get a little bit edgy about going out, which makes me a super fun person to date [ laughs ]. Did you feel that way before you were famous? That oversensitivity definitely was there. How do you handle obsessive fans? I get a strange wave of existential angst.
This is what it is. Mixing High as Hope was a really lonely time in my life. Are you perpetuating your own loneliness? Also, I guess, I thought it was funny. Are you OK? I did sit down and talk it through with my mom. We put that in the drawer and we go on. At what age do you feel you were done with the eating disorder? I have a healthy relationship with my body now more than I ever did before, but it took me a long time.
And it stays with you in really weird ways. It comes back in really strange ways, which I was looking at in this record. Raised in a family of accomplished writers and academics, Welch received her education at the Camberwell College of Arts before dropping out to pursue a musical career. Some of Welch's talents came from her father, Nick, an advertising executive who was a musical performer in his 20s.
Welch's mother, Evelyn, a professor of renaissance studies and academic dean of arts at Queen Mary, University of London, also influenced her daughter, but in quite a different way. Welch said in an article in Q Magazine that a lecture of her mother's impressed her and inspired her to aspire to make music with "some of the big themes—sex, death, love, violence—that will still be part of the human story in years' time.
Welch's big break came in December God,'" Nash told The Telegraph in a June article. Florence and the Machine initially consisted of Welch, her friend Isabella "Machine" Summers and a drum kit and ended up becoming a seven-piece band by In , Welch recorded with the band Ashok, which released an album with the earliest version of her song "Happy Slappy"—later renamed "Kiss with a Fist"—and made a hit.
Shortly after the release of the album, Welch resigned from Ashok. After signing up with Nash, Florence and the Machine rose to fame. The band released its debut album, Lungs, in the United Kingdom in July and met great success, peaking at No.
When it was released for download in the United States several weeks later, the album debuted at No. A number of the band's other singles were also used as theme songs or featured in several American television shows, including Grey's Anatomy and So You Think You Can Dance. The band itself made an appearance in a episode of Gossip Girl. An article in The Sunday Times of London called Welch the "most peculiar and most highly acclaimed female singer of the moment: poetic, literate, hurricane-voiced, prime to climbing up lighting rigs on stage.
In the midst of writing music for Florence and the Machine's new album in early , Welch was offered the chance to travel to Los Angeles to work with producers and writers of American pop music.
Although she was tempted at first, Welch changed her mind, saying, "No.
0コメント